Wrong, right

Posted by RudolfKremers on June 16, 2019 in Musings | 4 Comments

This is not a seascape. It may look like one, but it really isn’t. For a while I had no idea what it actually was, and I didn’t care because it was a blurry mess. So I discarded it, like I discard a very large portion of the shots I take. Sometimes because I missed focus, sometimes because they are blurred, sometimes because they are badly exposed, and sometimes simply because they are bad photos. But here’s the thing; occasionally it’s not the photo that is “wrong”, it’s me. I just didn’t see through the initial impression it gave me to see its true value underneath.


Routine editing decisions that normally work to save time can lead to discarding valuable photos because you forget to see what is really there. It’s a trap I sometimes fall into, but have recently tried to turn upside down, or inside out, or … well you get the picture.
So, I went back to that shot at the top of this post, and realised it looked almost exactly like the kind of shot of the sea that I wanted to make for years. Some thoughtful editing revealed what had been there all along. A keeper. And it belongs in my portfolio. I also figured out how I made it. It turns out I took it through the window of a train from London to Canterbury. But it doesn’t really matter because it works better a seascape shot.

When I finally understood this I thought it a good idea to write it all down in a blog post dedicated to “wrong” photos that turn out to be completely “right.”

Here are some more:

4 Responses

  1. John Foster
    17/06/2019

    The colours and the grain in this one makes me think broadly of 1970s scifi. If it was space it might be Silent Running, if it were a desert it might be Phase IV 🙂

    Reply
    • rudolfkremers_mvulyj
      22/06/2019

      70s Sci-Fi is one of my cornerstone aesthetic references, so I will take that with a big smile. Thanks!

      Reply
  2. Graeme
    19/06/2019

    I love the feel of 4th up from bottom – the shadows, the golden rake of light, the colours of the wood, the texture of the louvre vent, the figure (picked out enough that you wonder who…what? is that?), the glowing dirt in the corners of the window panes, the view outside to freedom, the EXIT sign pointing to safety, but to get to it you must pass the figure. GREAT shot.

    Reply
  3. rudolfkremers_mvulyj
    22/06/2019

    Thanks Graeme. It was a shot that had been discarded for years until I saw it in a new light, together with a collection of similar shots. Now it’s actually moving towards becoming part of a series. 🙂

    Reply

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